The Dorothea Lange-Paul Taylor Prize 2018 - logo

The Dorothea Lange-Paul Taylor Prize 2018

First announced in 1990, the Dorothea Lange–Paul Taylor Prize was created by the Center for Documentary Studies at Duke University to encourage collaboration between documentary writers and photographers in the tradition of the acclaimed photographer Dorothea Lange and writer and social scientist Paul Taylor. In 1941 Lange and Taylor published An American Exodus, a book that renders human experience eloquently in text and images and remains a seminal work in documentary studies.

Like Lange and Taylor, and all serious documentarians, the competitive applicants to this prize have a point of view derived from an in-depth understanding of place, history, and the current situation, in concert with a personal relationship to the proposed work. Ultimately, their commitment is to use documentary expression to motivate the thinking and reflection of others.

All entries should have one thing in common: evidence that they were created with reliance on documentary methods—research and interviews—and immersive, long-term fieldwork. We are interested in work that directs its gaze outward, that curiously engages with the world, and that is, as former CDS director Tom Rankin describes, “derived from an in-depth understanding of place, history, and the current situation, in concert with a personal relationship to the proposed work."

Fees:

Paid

Prizes:

The $10,000 award will be reported to the winner on a 1099-Miscellaneous tax form. It is the responsibility of the winners to file their tax liability.

Eligibility:

The Lange-Taylor Prize is open to documentary artists of any age and nationality who are involved in extended, ongoing fieldwork projects that rely on and exploit, in intriguing and effective ways, the interplay of words and images in the creation and presentation of their work. Single artists as well as collaborative teams are eligible.

Copyrights & Usage Rights:

By entering the Dorothea Lange–Paul Taylor Prize, you agree that the Center for Documentary Studies is permitted to receive your registration data. Participants agree that personal data including, but not limited to, name, mailing address, phone number, and email address may be collected, processed, stored and otherwise used for the purposes of conducting and administering the competition.

Theme:

Documentary Photojournalism